

- #Cosmic jewish zombie talking snake magical tree quote how to
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Although he is reportedly very nice to his fans and still has a weekly show on Sirius, to quote Casey Kasem, “Fucking ponderous!” I thought, “The last man standing from the Golden Age of Rock and Roll.” But then, I remembered Pat Boone. What are your thoughts on the passing of Jerry Lee Lewis? According to his seventh (!!) wife, he was at peace when he went. Thus, guitar solos-as opposed to Phil Manzanera’s accents in Roxy Music’s “More Than This,” which mean more to me, open up a deeper emotional well, than anything Jimi Hendrix ever played. The idea that all individuals are incomplete was replaced by the belief in self-perfection. A thousand doo-wop groups, but above them all Dion and the Belmonts “I Wonder Why.” After the mid ‘60s, individual virtuosity undermined group identity and a single sound-realizing one’s true self as separate from or over a group replaced the Beatle-ideal of realizing oneself as part of a group. I’d like to know your own take on this particular question. Robert Christgau recently stated that he considers The Funk Brothers to have achieved a feeling in their mutual chemistry that almost no other studio group did, and that the only ones who nearly matched them were The Wrecking Crew at certain points, as well as Al Green’s musicians in the early ‘70s, with The Rolling Stones coming close in their own way in the mid ‘60s. Yes I think off-screen, or not distinguishable in the crowd around the table, but what’s the error there? I’ll be writing on Philosophy on/in my Fosbury to launch my Substack newsletter and don’t want my thoughts to get stale by posting them in advance.
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I expect you’ll be writing about it in detail at some point, but any early remarks on Dylan’s Philosophy of Modern Song? I haven’t yet read it, and probably won’t for a while (I can ill-afford hardcovers, let alone the cost of shipping one to South Korea) but the excerpts have me excited – his depiction of the (possible) author of “Strangers in the Night” “playing his way across the Middle East during the early forties, at one point teaching Iran’s Shah Reza Pahlavi how to correctly swing dance” with its unexpected, perfect placement of the adverb, absolutely kills.Īn unrelated question: was your “flat out unambiguously idiot error” in Mystery Train describing the character who delivered The Godfather‘s devastating line “they’re animals, let them lose their souls” as (if I recall correctly) “carefully off-screen”? It speaks for an America where all people feel at home, and it’s a wind of peace of mind blowing through Down in the Groove. It’s just what you say: like a forgotten gem rescued by an archivist. Why do you think even obscure (and much maligned) Dylan albums can become the subject of interesting if not joyful rediscovery?īob Dylan likely played “Shenandoah” with “Spider” John Koerner in Dinkytown in 1959 or 1960. I’ve never heard a bad version of the song-the melody is just too stirring, even utopian. The standout cut was “Shenandoah” that includes an unidentified mandolin player.
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A day or two ago I decided to revisit Down in the Groove as though it was a new Bootleg Series volume with outtakes.

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